brocatus:subjectivity: Yoko OnoMore than five years ago, when I was still in Toronto, Ono had a retrospective/cumulative exhibit at the AGO.  One of the interactive works told me to take a puzzle piece from a bowl, and then five, seven, or ten (I can’t remember) years later, come back and help to put it together again.  It was a piece of the sky. The best thing about being avant-garde in the 70s (fuck, the best thing about being Yoko Ono in the 70s), was you could use imagery like that and never be cheesy.  Or double-edged.  Not confident about that last one, though - dint of being born when I was means I sometimes forget that really big shit’s been falling from the sky since the Hindenburg. 

brocatus:

subjectivity: Yoko Ono

More than five years ago, when I was still in Toronto, Ono had a retrospective/cumulative exhibit at the AGO.  One of the interactive works told me to take a puzzle piece from a bowl, and then five, seven, or ten (I can’t remember) years later, come back and help to put it together again.  It was a piece of the sky.

 The best thing about being avant-garde in the 70s (fuck, the best thing about being Yoko Ono in the 70s), was you could use imagery like that and never be cheesy.  Or double-edged.  Not confident about that last one, though - dint of being born when I was means I sometimes forget that really big shit’s been falling from the sky since the Hindenburg. 

Reblogged from brocatus 4 years ago |